audrey hepburn dress givenchy plagiat | Audrey Hepburn vestido Givenchy

Audrey Hepburn and Hubert de Givenchy. The names are synonymous with elegance, sophistication, and timeless style. Their partnership, a cornerstone of fashion history, birthed some of the most iconic looks of the 20th century, most notably the "little black dress" from *Breakfast at Tiffany's*. However, the enduring legacy of these designs has also sparked discussions, debates, and even accusations surrounding the originality and ownership of certain styles, leading to the question: Audrey Hepburn Dress Givenchy Plagiat?

This article delves into the complex relationship between Audrey Hepburn and Givenchy, exploring the origins of their collaboration, examining the designs that defined Hepburn's image, and considering the nuances of influence, inspiration, and the potential for plagiarism within the fashion world. We will look at several iconic examples, including the "little black dress," wedding dress designs, and other black outfits worn by Hepburn, analyzing their construction, their impact, and any claims of derivation from existing designs.

The Genesis of a Fashion Partnership: A Match Made in Heaven

Audrey Hepburn and Hubert de Givenchy met in 1953, a pivotal moment for both their careers. Hepburn, a rising starlet, sought Givenchy's expertise to dress her for the film *Sabrina*. Initially, Givenchy, expecting Katharine Hepburn, was hesitant. However, he was captivated by Audrey's charm and unique beauty, and a collaboration was born.

This partnership transcended a simple client-designer relationship. Givenchy understood Hepburn's personal style – her love for clean lines, minimalist silhouettes, and comfortable elegance. He tailored his designs to complement her slender figure and gamine features, creating a signature look that was both sophisticated and accessible. He wasn't just designing clothes; he was crafting an image.

The Iconic "Little Black Dress" and its Enduring Impact

Without a doubt, the most recognizable and influential piece born from the Hepburn-Givenchy collaboration is the "little black dress" (LBD) from *Breakfast at Tiffany's* (1961). Designed by Givenchy, the dress initially appeared in three versions. The most famous version, now housed at the Museo del Traje in Madrid, is a sleek, sleeveless sheath with a boat neckline and a knee-length hem.

The LBD was more than just a dress; it was a statement. It symbolized modern femininity, understated elegance, and a break from the overly ornate styles of the past. It was a dress that could be dressed up or down, making it versatile and appealing to women of all ages and backgrounds.

The LBD's influence is undeniable. It became a staple in women's wardrobes worldwide, inspiring countless designers and retailers to create their own versions. Its simplicity and timelessness ensure its continued relevance in contemporary fashion.

Beyond the LBD: Other Notable Audrey Hepburn Givenchy Outfits

While the LBD reigns supreme, Hepburn wore numerous other Givenchy designs that solidified her status as a fashion icon. Let's examine some key examples:

* The *Sabrina* Wardrobe: The film *Sabrina* marked the beginning of the Hepburn-Givenchy partnership. The wardrobe showcased a range of elegant designs, including a sophisticated black cocktail dress with a full skirt and delicate embellishments, and a chic white gown with a fitted bodice and a flowing train. These designs established Hepburn's signature style and highlighted Givenchy's talent for creating sophisticated and feminine pieces.

* The *Funny Face* Creations: *Funny Face* (1957) offered another showcase for the Hepburn-Givenchy collaboration. The film featured a variety of stylish outfits, including a striking red dress with a full skirt and a fitted bodice, and a chic black turtleneck and cigarette pants combination. These looks demonstrated Hepburn's versatility and Givenchy's ability to create both glamorous and casual designs.

* Givenchy Wedding Dress Possibilities: Although Audrey Hepburn did not wear a Givenchy gown for her first wedding (she wore a Pierre Balmain dress), it is widely believed that Givenchy created designs for her consideration. The fact that he was her trusted designer meant he would naturally be among those she sought inspiration and design ideas from. It is important to note that, with her second marriage to Andrea Dotti, Hepburn wore a pale pink minidress designed by Givenchy. This departure from a traditional white gown highlighted Hepburn's unconventional style and Givenchy's willingness to experiment with modern silhouettes.

* Other Black Outfits: Hepburn frequently wore black Givenchy outfits both on and off screen. These designs ranged from sophisticated evening gowns to chic daywear ensembles. They showcased Hepburn's love for simplicity and Givenchy's mastery of tailoring.

Addressing the "Plagiat" Question: Influence vs. Imitation

Now, let's address the central question: Did Givenchy ever plagiarize existing designs when creating outfits for Audrey Hepburn? The answer is complex and requires careful consideration of the nuances of fashion history and the creative process.

In fashion, inspiration and influence are inevitable. Designers often draw inspiration from historical styles, cultural trends, and the work of other designers. However, there's a distinct difference between drawing inspiration and directly copying or plagiarizing another designer's work.audrey hepburn dress givenchy plagiat

To determine whether a design constitutes plagiarism, several factors are considered:

* Similarity: How closely does the design resemble the original? Are the key elements, such as silhouette, details, and embellishments, virtually identical?